March 26, 2010 Friday Morning, Venture Fourth, Part 2
Pure Awareness Practice
Keywords: pure awareness practice, sem, rigpa, obscurations, togyal, change of lineage knowledge
(background noise or static on the tape makes speech harder to hear, like a motor running in the room,(this was the heater) true of all tapes in this series so far)
Barbara: Continuing with pure awareness instruction…
Let’s start with posture. Body open. Eyes softly open. Remove your glasses. It’s fine to wear sunglasses, especially non-prescription sunglasses. Seat yourself so you can look out the window. . . .
Q: May I ask a question? If you see an energy field around the tree, is that the same as luminosity?
Barbara: I can’t answer that; you could be seeing the tree’s aura. Describe it to me afterward in more detail and we’ll talk about it.
I wish you could be doing this outdoors but we take what we can get (it is a cold, rainy March day)
There are long pauses between instruction, not noted.
Eyes soft, unfocused, so you’re not seeing a specific object but the whole interplay of objects. Lights, shadows. Mind lets go of the whole idea of tree trunk, branch or leaf, water or sky. If those thoughts come, just note them as thoughts and let them go.
This first step we’re doing is to see the view, so we won’t work with the inquiry part of it at first. If thoughts comes, just note them and let them go.
Returning to seeing, body open, mouth slightly open so the tongue is not touching the teeth or the roof of the mouth. Ahh… Be aware of any hardness, as in a boundary separating your self.
Using the breath as a base. . . , invite the flow of your being out into that which is seen and everything that is seen back into the self. . . . No separation. . . .
You may begin to see a lot of light or shimmering of energy. You may experience your own being suddenly expanded, feeling yourself to be the water, the sky.
Whatever comes, whatever kind of thought or experience, don’t fixate on it, simply note it, smile into, and release. . . .
Note any tension in the body. Breathing deep into the belly and releasing. . . .Everything open, flowing. . . . But the mind awake and alert, really present. Allow the mind to know of self as a vast field of clear cognizance, unlimited. . . .
If you find yourself trying too hard, just feel that as tension and release. There’s nothing to fix and nothing to change. Everything left in its natural state, just as it is. . . .
There is no right or wrong thought or experience here. Resting at ease with whatever comes. . . .
If your energy feels too low you can raise your eyes a bit, raise the gaze a bit. If your energy feels too high, too strong, you can lower your gaze a bit.
You are not trying to see something so let go of that idea, let go of grasping; just being, at ease in this natural state. . . .
Don’t fixate on anything; return to spaciousness.
Longer period of practice
I’d like to go around now and hear from you what you’ve experienced so that we can get a clearer sense what rigpa is, how it presents itself. What is this experience?
Q: (mostly inaudible)
Barbara: Pure awareness is not like the dimmer switch; either we are resting in pure awareness or we’re not. But there is a borderline where we go in and out, and it sounds like you were at that borderline going into it, a sense of ease, with high energy. High energy is one of the ways it shows itself. So you weren’t seeing light but you were feeling the energy. Neutral feeling, story coming in but equanimity with the story. But not fully stepping into it. Just relaxed, effortless effort. Just let it be and it will open itself more. It’s like you’re seeing through a little hole but just let it enlarge itself. Resting and moving into it.
Q: All these years that we’ve been doing this it’s been the same.
Barbara: Have you been practicing with eyes open? It will deepen if you practice in that way. Did things start to merge together and lose their separate identities as you looked?
Q: They got bigger but they didn’t get to the merging part.
Barbara: If it’s sunny this afternoon, sunny enough to sit outside for 15 minutes, do that, or else at some point pull a chair right up to a window or sitting by one of the windows in the house where there’s a much lighter view. You can also take something like the vase of daffodils and look into it. You don’t have to do it looking out at a vast view. Looking at the vase of daffodils is harder because they’re cut flowers, they don’t have the same energy even though they’re beautiful. If there’s a plant up in the house, just sit with the plant. Is that a plant or a vase? A plant, that’s perfect then. I thought that was a vase of flowers. Okay, that plant is perfect to work with. Sit near it. . . .
(discussion in the background; they are mums, not daffodils)
That’s still fine. Awareness will not care whether they’re daffodils or mums. Just sit with a growing live plant and feel the energy; let yourself release into that energy; let it release into you. For some people that’s easier than working with a big landscape, where it can be frightening to let go of boundaries. So just sitting with a small plant at eye level in front of you. Breathing into it, breathing it into you, fully becoming the plant and the plant becoming you so the boundaries fall away. That experience of no boundaries, even for a moment, is rigpa. The high energy that you felt is rigpa.
Q: (mostly inaudible)
Barbara: Got it. Okay. It doesn’t have to be visible, that light vibration. You try sitting with the plant also and see how that feels. It’s a much smaller field to inter-be with; see how that feels.
Q: (mostly inaudible)
Barbara: You can use the nada as a way of moving deeper into pure awareness by, as you’re sitting there, hearing nada and let it become strong. I don’t want to make this into a thought but rather, the awareness of that sound as coming from everywhere. There’s no source of the sound. It’s in you and it’s out there and there’s no more in you and out there, and there’s an opening of non-separation; this is one of the experiences of rigpa. It’s not an intellectual thought, though, it’s more just an experience of Ahh. . . . It’s everywhere. So use the nada to support the deeper opening into pure awareness.
Q: I had a <> experience <>, however I would like to first address what happened this morning. I woke up with a very heavy <feeling>, not exactly the <> but I felt pain in my <head> and a heaviness. I sat down next to G looking out the window at the birds, no expectations, just watched the lake and the birds. Then all of a sudden <for no reason>, I had a feeling of joy, nothing<>, nothing<> but just joy.
I sat down. <>. I thought <>. Then things took a different perspective, almost like being <>, <> beautiful. Then I had a little bit too much light and I thought maybe I should have sunglasses on.
Barbara: These are all expressions of pure awareness. The light, the shift from a form to a different – it’s not that there’s no form, it’s that the form is not this or that anymore. But it ceases to be a ‘something.’ The lightening of energy is the shift from sem to rigpa. Just the whole energy field opening up and interconnecting so it’s no longer my energy field and that but suddenly you’re part of that whole energy field and it’s part of you, and everything lightens up. There still can be body pain, it’s just body pain. Okay, good!
Q: …even before <> when I looked at <> I experienced the boundaries <lifting>. <> There seems to be something about that color and I almost immediately go into a state of rigpa. These yellow flowers <>. But I have <> larger vistas. At Emerald Isle the amount of stimulation almost seems to pull me away from that state of connection with the <>. So I do much better with small, limited vistas.
Barbara: Red and yellow suggest to me that it’s in some way working with opening the lower chakras and the lower chakra energy. It may be for you that the upper chakras are already very open and what keeps you more in the small self are the closing of the lower chakras. And as you merge into that color, the lower chakras are more open and the whole energy field opens.
As for the view, we’ll talk about it at Emerald Isle but I suggest that you start by sitting by the ocean and instead of looking out at the big view, looking just at the waves coming up and going back into the water. Keeping your eyes down while sitting right next to the water line. Just see the water coming right up to your feet and back in and just watch that.
Q: I have one far-sighted eye and one near-sighted eye. First I saw the aura of the tree, then as I closed my eyes more, then I saw a lot of light and the only way I could look at it was to bat my eyes.
Barbara: So that luminosity is one of the expressions of awareness.
Q: But I went in and out of that and when I was out, my ego had a great time talking to me…
Barbara: But this is perfect because it gives you clarity about the move into rigpa and back out of rigpa, and you really know, “This is what the experience feels like. And that, ego talking, is not what rigpa feels like.” So now what we want to do here this morning is for each of you to have some certainty of what rigpa is. And then the next step is to stabilize it with the meditation practice. When the ego speaks up, then you just ask after it, “What is it? Anything here that is not God? Anything here that’s not an expression of the divine?” And then back you go into rigpa again.
Okay, it’s 11:15, how many did not get to share your experience with me? What I’d like to do is let people sit in silence down here, come up to the house (to talk to Barbara, everyone invited to come listen to others share). But I want to keep this room quiet for those who are sitting, so that you have certainty about what is rigpa, even if it’s just a momentary experience that you had certainly about what it is.
And then we work from that base, seeing the view, deepening the meditation. That’s when we start to do the trekchod practice, the cutting through practice. Looking to see, as L gave the perfect example. The ego comes in and just greet it. Awareness is aware of the ego coming in but not caught up in the ego. But asks the appropriate questions that helps us slip back into the state of awareness. And it becomes increasingly stable over time.
Okay, I’m going to go up to the house…
(Continuing Friday morning at the house. The people who did not have a chance to speak…)
(there is no background hum or noise in this section, much clearer)
Q: I look at <in the> space starting with other objects as a frame. Then I breathe the space into all my cells, and the space becomes 3D or 4D, very thick or like a connected object. It then connects everything. And because I am breathing that space and in the spaces of me, then I am a connected floating object. And the vibration of that space is high and fulfilling, like food. And the objects collapse into the space like 2D, everything goes (sound effect), so everything is on the same plane of existence. And I don’t notice any change in light…<the energy seems to be in that space>
Barbara: Don’t worry about the change in light. For you, energy and space seem to be predominant so just work with that. I don’t want to say work with that, just be with that. You said the space seems to be deep, and I’m not quite sure what you mean by that.
Q: There is another dimension to it. My experience of all the expressions of the Unconditioned are that they have a foreground and a background phase. And for nada the background is a little less intensity of sound. And for space, the background is– I am losing the words– but when I feel this foreground and background then all I have to do to reach Unconditioned is fall into the background.
Barbara: When you say fall into the background, there’s a sense of merging with the background?
Q: Yes.
Barbara: Boundaries falling away so it just comes together.
Q: Yes. It’s this, right? Okay, so nada has this, the more intense sound, then fall into the background or the sound, or the background of the light when I see it is as you discussed this morning, not a pulse exactly but…
Barbara: It sounds like moving to the place from which nada is expressing, the ground…I’d like to suggest you bring attention to whether there is any subtle bit of an ego trying to control, still. I’m talking here now not about seeing the view but about meditation practice itself. If you see something that’s a thing, ego or anything that’s creating separation, bring it into the practice in the way of noting it, “Anything here that’s not an expression of the Divine?” You’re not trying to force it to change in any way; you’re just using the wisdom mind to cut through the illusion of something that’s separate or something that’s creating separation. As it falls away, just rest in the space that’s created. Okay?
Q: Ever since Aaron introduced me to mind and to vision exercises, I quickly understood the general trend, where it was going, and was eager to get involved with it. I’ve never experienced so much resistance to something I wanted to do. And that continued right up until this morning’s meditation. I just got so many arguments, visual complications, things working against me. And I was able to use the elements, and all this tension gave me an opportunity to work with all these tools we’ve just been given.
In the exercise just now when we did the, can’t remember, the one we just finished, that I have been doing since the last intensive but getting absolutely nowhere with it, today was pretty much the same until towards the very end when I really came to a place of peace and centering with the whole experience, although to my estimation nothing really changed in terms of having the experience of rigpa. <I felt centered afterwards.>
Barbara: Was there any experience of spaciousness or letting go of self? No. I’d like you to try to work with the plant. Just being with it, ideally on the table, right up in front of you. Breathing into it, breathing it back. When you get home, do it with your dog, when your dog it sleeping. Your dog is a wonderful object to use for this practice. It’s very easy to let go of your boundaries with your dog, just releasing. Love, presence, feeling his energy coming back into you. All the boundaries between self and dog falling away.
For now, for here, I would suggest that you relax, not trying too hard. If there was an experience of deep ease and peace, great, that’s a doorway to rigpa. Simply be there in that space of ease and peace.
Slowly you’ll be able to see the ease and peace and this “Me, I’m gonna do it,” as the ego in the front. Ahhh, letting it go. Okay?
Q: The way I was introduced to rigpa was to look back at what is there, and finding nothing, notice that the emptiness was awake and the awareness was empty, and resting in that. Then sky gazing was introduced after that. And that involved seeing the space outside, sensing the space inside, noticing that both occur within the space of awareness and relaxing into that.
What occurred for me this morning as I was doing this, the window framed the space I was looking into. Within that a smaller portion gradually became somewhat darker and then within that, all these points and circles of light appeared… Almost like pointillism, the art form with dots. They were moving through the field and gradually slowed down and that’s when it ended. It never got really still, which they sometimes do.
Barbara: So you’ve experienced that before.
Q: Yes.
Barbara: Two things here. That sky gazing can be a very helpful practice when people can go outside and lie on the ground and really be there under the sky. Harder from the inside when the sky is small through the frame.
I have a somewhat different take on the dark patch and the dots. I would rather ask Aaron to say it because I don’t know how to articulate it and I think he does.
Aaron: We’ve moved!… Where am I! (laughter) I never know where this body is going to be!
Q: Neither does Barbara when you move it!
Aaron: I was aware that the sitting had ended and that you had moved and of course I had seen this room through her eyes before.
These beings were the original trees that were growing here, that had to be cut down to build this room, so they peeled the bark from the tree and put it in place to stay here (pointing to the ceiling beams)…
The dark area is an energetic presentation of the obscurations, and the dots are an energetic breaking up of the obscurations. As you move into that space, resting in awareness, you’re clear; resting in awareness, rigpa is strong. At some level there is the intention to use this time of resting in awareness, in rigpa rather than the sem aspect of mind, to let the power of rigpa release the obscurations that are part of the sem mind. The visual effects are part of that release.
So one might call it a purification. It’s not a conscious purification; it’s an energetic purification.
Q: When I told Surya Das about these phenomena, he gave me togyal instructions to work with them.
Aaron: Do you understand why?
Q: Yes, I think so.
Aaron: Because as you are consciously or subconsciously releasing the obscurations, the togyal practice gives you the tool of inviting it all to dissolve into that radiant clarity of the pure mind.
Let me put it in this way. Let’s say you have a darkened area. You have an eraser. You have taken a pencil and it’s all shaded over. With your eraser you’re able to erase little bits of area where the original pure white paper can shine through.
Now let’s say that you had, let’s use a slightly different metaphor. Let’s say you had painted with a water-based paint over a clear piece of glass. Then you took a swab with water and made little places where the original radiant, clear glass could shine through. You’re clearly moving in that direction so I say, “Why do it that way? Here’s a pitcher of water; just pour it over and wash the glass clean.” That’s the effect of the togyal practice. What you’re doing is taking the obscurations and merging them with clear light so that nothing remains except the clear light. But it’s basically a practice of eradicating the defilements. Eradicating especially the illusion of a separate self.
Q: What was explained to me was simply to relax and allow the display to unfold itself. It’s not a doing.
Aaron: Exactly. This is why I said we’re simply, instead of you doing that, which is the trekchod practice, you’re simply pouring the water over and (sound effect), but there’s nobody pouring, it just releases itself. It’s like having some kind of magic non-stick frying pan; you just run it under the water and whoosh! All the sticky objects are gone.
You rest in that clear light. You become so free of doubt that this is your true nature that there’s nothing needed to do anymore. And yet there still must be somebody who takes care of the everyday mind when it bounces into self-view thoughts. But the practice teaches you a whole level of resting in that clarity of light and the ease of it.
You cannot come to that ease of that until you’re ready. I think the reason he gave you the togyal practice is that it was clear to him that at some level the mind was already busy working at releasing the defilements, not just from the vipassana practice but from the whole energetic point of view, and that it would be much better to just let it go. You never were that stained sheet of glass in the first place; the paint was just adhered to the surface.
So in the vipassana practice one works to not hold the paint on the glass and to see the nature of the glass and the nature of the paint. In the beginning pure awareness practice, one releases identification with the paint and gets to know the nature of the glass, but there’s still paint on the glass.
Then the togyal practice releases the paint from the glass although it comes back for awhile. You have to keep releasing it until you are able to walk around (with it) in that fully released state, which you are not yet. It will come! But do you see the transition, the progression? (yes)
Now, the vipassana practice comes in to take that fully unstained glass and the knowing of that as the Self– when I say the Self, in capital letters as everything, and uses that as doorway to the further release so that the paint doesn’t come back on the glass.
The togyal practice is not yet a permanent release but if you do it enough, that idea of paint on the glass would cease to come. The vipassana practice handles it in a different way. Okay?
This sounds very, like a very fruitful practice. Do you see the ways it ties in with your work with vipassana? (Q: Yes.) And also the “Who am I?” kind of practice that you’ve done? It goes together perfectly.
Q: Often “Who am I?” is a doorway into rigpa. Is this so?
Aaron: Yes, a very powerful doorway into rigpa. “Who am I?” is always a doorway into both pure awareness and into access concentration. The mind is watching objects arising and dissolving. Nothing seems solid. There’s equanimity with this arising and dissolution. There’s still an observer, though. It’s very subtle but there’s still this subtle hint of a somebody that’s watching this whole show. At that point, if mind brings in the “who am I” question it tends to just implode; the whole sense of an observer dissolves into full presence. Access concentration is then strong, though with no sense of a self. Body and ego completely dissolve at that point, with that access concentration.
Q: My experience is similar to J’s. I see luminous shimmering objects… and also tigle’s. But to me that is phenomena, expressions of the awareness touching phenomena.
Aaron: Expressions of the awareness touching phenomenon? I’m not sure what you’re saying here.
Q: It’s phenomena, not the awareness itself. It’s expressions of the awareness. What is more important to me is the awareness itself, naked and pure, and resting as that. And releasing obscurations through the meeting of the pure awareness and the obscurations.
(reviewed to here)
Aaron: Now I understand. Thank you. It’s rather like, if the lighting is just right, you find shadows. If you change the lighting there’s no shadow anymore. Resting in pure awareness the obscuration is seen clearly as an expression of that which is non-existent, or non-existent in ultimate reality, and there’s no more belief in it. But it can take awhile because you may keep coming back and thinking, “Maybe I was wrong, maybe it’s real.” We get into that with emotions such as unworthiness or self-limiting ideas, and you may keep bringing up the brilliance of that pure awareness, that eliminates all the shadow. Then you review it afterward and remember, and you still need to bring that into – we were talking about that Dharmakaya, nirmanakaya, sambhogakaya bridge – you carry it over the bridge and say, “How is this insight going to work in my life?”
I think this is the place people get caught. We need to make you all more of bridge walkers. Carry it back and forth, we’ll give you a good wheelbarrow so you can carry the Dharmakaya back to the nirmanakaya . (laughter)
I think the important thing for you right now is the resting in, because you are working so hard trying to fix in the everyday mind and life.
Q: I let go of that.
Aaron: You have let go of that. (laughter)… Wonderful. Okay. The resting in awareness is healing and it’s good for you right now just to rest there. Trust the practice. It will evolve as it needs to.
Q: If I get caught I just say, “Vision is the mind” and it goes.
Aaron: Perfect. In your vipassana practice do you experience access concentration?
Q: It’s still somewhat difficult for me to understand that since I don’t come from a strong vipassana background. I am stronger in pure awareness practice…
Aaron: I understand that. You are doing some vipassana sittings, yes? This is up to you but I would urge you to do more vipassana sittings and to begin to recognize the place within the sitting where mind settles firmly, watching objects arising and passing away, and there’s no sense of going out to beautiful objects or pulling back from unpleasant objects. Just seeing it arising and passing away.
Q: But that happens with pure awareness practice too.
Aaron: May I look in the Akashic records at your experience?
Q: Yes.
Aaron: It’s different. It happens in pure awareness. But pure awareness by its very nature does not include, let’s call it the wisdom mind, the cognizant mind, which is still part of the conditioned mind, the mind that can see and compare and discriminate.
When this happens within the vipassana practice, the discriminatory mind is still there in a positive sense so it’s able to use logic and draw conclusions. And this can feed much deeper into the release of the kilesas.
I’m not saying you have to do it that way only that in the long run I think you’ll find it easier, to blend the two.
Q: I will try that… I have an idea or belief that that is going backwards or too much doing.
Aaron: What is a belief? Right there is a place where the vipassana practice can be helpful. It’s just a thought. And in a moment, seeing it as belief, and experiencing that thought, and the body contraction around it, with no ownership of it, it releases.
Is there anybody who practiced in the smaller group where we gave the instructions in seeing the view who has not shared their experience?
It’s 12 o’clock…We’ll continue this this afternoon for those of you who want to…Let us take maybe just a minute or two each to quickly hear your experience because I’d like to know what you’re doing when you go back into practice this afternoon. Then I’ll be happy to meet longer with you if you wish. I don’t want to hold you up for lunch.
Q: I would prefer to talk about an experience that happened yesterday and ask about that.
Aaron: That’s fine.
Q: I felt that eventually I got to light for a moment and then I had a sense that I touched all life, or I was one with all of life. And then my body started tearing.
Aaron: Do you mean literally you started to cry? (yes) And what was the experience, was there great sadness, or joy, or…? Joy. Was there noting of the crying, awareness of the crying? Yes. Was it pleasant, unpleasant, or neutral, not just the crying but the feeling, the whole thing? Very joyful. Noting of that. And then did mind open back into awareness or did it stay with that experience.
Q: I didn’t know what to do.
Aaron: Okay, it sounds like there was a very deep experience, let’s call it a unification experience, arising out of pure awareness. And then a strong mental and body response to it. The next step then would be the ability to note that response just as, “What is it? Anything here that’s separate from the Unconditioned?” Joy, tension, emotion, watching the emotion, the thought, the body, each of them just arising out as the Unconditioned and passing away. Nothing separate. That asking will bring you back into the pure awareness. So that’s one direction to go.
The other possible direction with that kind of strong unification experience is to immediately shift it to “Who am I? Is there anything here that I can point to and say, ‘This is self’? I am connected with everything.” Ask the question and let it go.
You are not directing this; rather before the sitting you are stating the highest intention for the highest good and allowing the practice to direct itself. It may take you back into a deeper sense of pure awareness, just resting there. Or it may take you back into literally seeing everything arising and dissolving around you, the path of the insight knowledges. And very rapidly into insight into arising and dissolution, equanimity, change of lineage knowledge, and through it. It can be a very potent doorway to awakening.
Don’t grasp at it. Let it flow the way it needs to flow. You are not steering it; you are simply riding it. Okay?
Q: When I do the 5-step meditation and ask, “What is mind?” or “What is emptiness?” I have an experience of great vast, infinity, emptiness. And when I look at the emptiness and say, “What is this?” it becomes the clear light, it becomes clear and I see a light quality to it and yet a presence to it. And as I sit with that then I realized that I am that. And it’s very comforting.
When I gaze out the window in the clear awareness practice, I initially go there to that sense of vastness. This morning I found myself getting scared as if it began to expand and a part of me would go “Whoa! I’m not ready!”
As I let go of that, as I keep attempting to let go, it’s as if my focus changes and then I start to see everything blending and I see this foggy luminosity. And as I rest there, thoughts, feelings, even bodily sensations simply arise and pass away. Conditioned stuff.
Aaron: Was there a sense of equanimity with it?
Q: A bit of self.
Aaron: This is the stage in which the mind touches the “everything is arising and everything is dissolving.” But the practice needs to be directed then toward that subtle sense of self, again with a “Who am I? Is there anything solid here?” If there is tension – you said at first there was a moment of fear – the most skillful practice at that point is to immediately bring the attention to the experience of fear. Not into the stories of fear but the direct experience of fear, so that it’s seen clearly as also arising from conditions and passing away, sankhara, wherein that which arises out of conditions is itself the ground for future conditions. Just arising and passing away.
Okay, so here’s fear. If at that point it has an unpleasant feeling, be with the unpleasantness. What is unpleasant? What is the feeling of unpleasant without any stories? And that also will shift. If there’s any aversion arises based on the unpleasantness, you start to see the whole flow of sankhara, one object after another, each firing off not just one object sending another up, but many coming together, and this arises and that joins it and here’s another, just bursting out.
This is a necessary preliminary experience because at a certain point one says, “I am exhausted. I can’t do this anymore,” and this is where that change of lineage knowledge comes in. “There’s not going to be any peace in this whole realm of sankhara. I want out.” There’s still a subtle “I” there that wants out but there’s the readiness to open to the Unconditioned.
Q: My question is about my focus. When the fear arises or the aversion, I pull my awareness back or expand my view, and cease identifying with it. And then I see it as stuff. But this is different, from more of a vipassana presence.
Aaron: Are you saying this morning that when this happened you let go completely and the mind shifted back into the space of awareness? (sort of, but fear was still at the edge) So this is where they interplay with each other. You are not resting in awareness because there was still the subtle ego present, but there was the glimmer of the possibility of that awareness. If you follow that further you’ll have a deeper experience of resting in awareness, and that experience as it stabilizes will help to dissolve or stop the arising of the fear, the fear will not come anymore because you’ll have a better sense of what’s there when a self is dissolved. It will feel safer. But you can also bring attention to the fear as an object, no stories, just the direct experience in the body, as tension. Then it is seen more quickly as arisen from conditions, not self, and will dissolve, no one letting it go.
Q: Final question: it’s much more fun for me to just look at “what is mind?” and “what is emptiness?” The question is, is that a level? That level, and yet that takes focus to look right at a mind. Is that a better way to practice than this letting go?
Aaron: Relax. No better or worse way. Know your intention. Start your sitting with a statement of your highest intention. As I just said, do not try to steer the practice so much as to simply ride it and be present in each moment and see where it’s going. That which wants to control is self. That which wants to know the better way is self. That which seeks “fun” is self. And self will never find liberation, only no-self will. Relax.
The exploration of the interplay between mind and emptiness and knowing the emptiness of mind, this is helpful. You said it’s more fun. It’s okay to take a break but don’t just do it because it’s more fun.
You’ll be at Emerald Isle, yes? So you’ll be there to work with this in silence. Okay.
Q: I recognize that <inaudible> as they come up before I start the awareness meditation. And balancing the elements has been very helpful, especially with sleepiness. I raise the energy, bringing more fire in. Once I get into the practice I feel the elements come closer, take several steps closer to me…
Aaron: I don’t know what you mean by elements coming closer. (signer explains silently)
Q: And everything turns very bright. And then my heart opens and that’s usually where I end up, feeling very openhearted. Yesterday when I was doing it, as light was starting to grow, I felt the heart sort of suck up the light energies so that the light was <> but the energy of the heart was very large. Usually I experience them together but that time it seemed like, I don’t know, the heart had its own ego or something! I was wondering what…
Aaron: Can you explain that a bit more, when you say the heart had its own ego, I’m not quite sure what you mean.
Q: The heart felt like it was drawing the energy away from luminosity.
Aaron: I think this is part of the resistance, that the heart is opening so much recently and I think it’s afraid of being drawn back into its old closed state, afraid of anything that feels at all threatening and that it may not be up to responding fully so it kind of shrinks back, and says, “All that luminosity; maybe not that” and pulls back. Just note it as fear, tension. Bring awareness to it, smile to it. It will go.
You are presently working very hard with some of these old obscurations of fear, of learning to trust, letting go of boundaries. And this has been happening since the time at the Casa and before. We can’t look at practice and say, “This is how it is.” It’s not so precise and linear because there are so many factors that come into it. Right now your practice is very much centered on that letting go, releasing of boundaries, opening the heart. And that’s very hard work. So if I come shining a 10,000 watt light at you, just note it.
Q: At the last intensive I had a very big experience with pure awareness practice and I remembered the feeling of it and took it back and began using that memory to help me enter the experience. But I didn’t do that for long. And now at this intensive I hear the message that that can be a crutch to use the memory of past experience… So now I’m trying just to be in the experience of what is. I have been having a hard time.
Aaron: I think both are okay. Using memory, if you have a broken leg, you need a crutch. When the leg heals, you don’t need a crutch anymore. If you cling to the crutch after the leg heals then it’s not wholesome.
You can use the memory in a skillful way. The question is not to be attached to the memory, not to try to recreate but to use the memory as a reminder of how you perceived before and then you let the memory go and shift into this moment, because this experience can only happen in this moment and not as memory. It’s fine to use the memory as a guide, like you might pull out an old journal or another author’s book, or like you’re here, hearing each other’s experiences. That helps you each to understand, what is pure awareness? This is how so-and-so experienced it and somebody else and somebody else. And then when suddenly you have such an experience, “Oh, this is okay. Someone talked about this yesterday.” Then you release the memory and you come back into the moment.
It’s 12:30 and I want to respect the kitchen staff who are working so hard to prepare your food. We will have more meeting time to give people a chance to talk.